Vol. 20 No. 45 (2022): Brazilian Modernity Special Issue

We release this special edition of Ars in two versions: one of them counts with Wallace Vieira Masuko's visual essay, conceived specifically to this number, whilst the other is presented without the artist's intervention.

Titled Vulgata, the visual essay consists on the inscription of every line of the movie São Jerônimo (1999), by Brazilian director Júlio Bressane.

We hope you enjoy the reading!