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Vol. 18 No. 40 (2020)

View Vol. 18 No. 40 (2020)

Published: 2020-12-31

Full Issue

PDF (Portuguese)

Editorial

Editorial

Dária Jaremtchuk, Liliane Benetti, Sônia Salzstein

5-6
- PDF (Portuguese)

Visual essays

: Invertida, cortada, dobrada

Ana Linnemann

9-20
- PDF (Portuguese)

Articles

The Spike-Man

Luiz Armando Bagolin

21-64
- PDF (Portuguese)
Museum of Solidarity: Mário Pedrosa's contribution during exile in Chile

Luiza Mader Paladino

65-125
- PDF (Portuguese)
Manet’s 'Coup de Tête': The Secrets Hidden in Plain Sight

Moyra Anne Ashford

126-169
- PDF (Portuguese)
A Life between the Image and the Letter: Joan Ponç in Brazil

Margareth Dos Santos

170-195
- PDF (Spanish)
Reception as a Link between the Artwork and the World and History

Diogo de Moraes Silva

196-236
- PDF (Portuguese)
Time Images in Bill Viola: Existential Queries towards Nothingness

Fernanda Albuquerque de Almeida

237-288
- PDF (Portuguese)
Artistic Manifestations with Video in the Context of the Videobrasil Festival (1983-2001)

Thamara Venâncio de Almeida

289-343
- PDF (Portuguese)
The Right to Look from Foucault, Spivak, and Mbembe

Marcos Namba Beccari

344-388
- PDF (Portuguese)
Technics, Art and Dispersion

Marta Castello Branco

389-445
- PDF (Portuguese)
Appropriation and Erasure as Artistic Processes: A Comparative Analysis of Tree of Codes by Jonathan Safran Foer

Luciana Lischewski Mattar, Renata Takatu

446-476
- PDF (Portuguese)
The Periodic Paradigm in Art: The Writing Community

Paula Alzugaray

477-507
- PDF (Portuguese)
Design and Typography as Expressive Elements in the Poetry of Augusto de Campos

Tiago Santos

508-584
- PDF (Portuguese)

Translations

The Cinema of Now - Signs of Life: A Letter from Apichatpong Weerasethakul

Apichatpong Weerasethakul; Alexandre Wahrhaftig, Eduardo Chatagnier

585-594
- PDF (Portuguese)