2015: Número especial: Roland Barthes Plural

Published: 2015-12-30

Editorial

Editorial Roland Barthes Plural

Carolina Bellocchio, Gisela Anauate Bergonzoni, Tatiana Barbosa Cavalari, Rodrigo Fontanari, Priscila Pesce Lopes de Oliveira, Claudia Amigo Pino

1-3
- PDF (Portuguese)

Articles

What is sport? The seminal contributions of Johan Huizinga and Roger Caillois re-signified by Roland Barthes

José Carlos Marques

4-8
- PDF (Portuguese)
Dialogues between Roland Barthes and Maurice Blanchot: writing degree zero in a book to come

Silvia Muramoto Hoshino

9-11
- PDF (Portuguese)
Slitting the language or enunciation and writing

Carolina Molinar Bellocchio

12-17
- PDF (Portuguese)
Derrida and Barthes: between singularities and pluralities

Raquel Campos

18-21
- PDF (Portuguese)
Shifts and transformation of criticism in Roland Barthes

Max Hidalgo

22-26
- PDF (Portuguese)
Mythologies and the new critique of ideology in France

Gabriel Ferreira Zacarias

27-32
- PDF (Portuguese)
A political Barthes: to write May 1968

Larissa Agostinho

33-38
- PDF (Portuguese)
From Proust to Barthes: the search for literature

Carla Cavalcanti e Silva

39-44
- PDF (Portuguese)
"A passion of neutral": Relations between neutral and subjectivity

Arthur Dantas Silva

45-48
- PDF (Portuguese)
Barthes and Musil, how to live together: Gonçalo M. Tavares’ literary tables

Gisela Anauate Bergonzoni

49-55
- PDF (Portuguese)
Tell hose whom I love: reconciling Roland Barthes and Albert Camus

Samara Geske

56-61
- PDF (Portuguese)
The suicide pleasure as a performance of the subject in Barthes

Rodrigo Ielpo

62-67
- PDF (Portuguese)
Roland Barthes and the palimpsest anatomy

Cristiano Bedin Costa

68-73
- PDF (Portuguese)
In search of an image: alchemy and literary criticism. The “obstacle of substance” in On Racine, by Roland Barthes.

Paulo Procópio Ferraz

74-79
- PDF (Portuguese)
How to read a movie? The cinematographic language according to Roland Barthes

Janeide Maia Campelo

80-84
- PDF (Portuguese)
Barthes, fashion editor

Salma Soria

85-95
- PDF (Portuguese)
Not eager for definition: punctum and haiku

Iury Bueno

96-101
- PDF (Portuguese)
Roland Barthes and the family album

Priscila Pesce Lopes Oliveira

102-110
- PDF (Portuguese)
Reality effects: reality and writing in Roland Barthes

Pedro Henrique Couto Torres

111-114
- PDF (Portuguese)
Shared silence: writing gestures and presence gestures

Luiza Crosman

115-122
- PDF (Portuguese)
A presentpainting. A brief incursion in Roland Barthes’ drawings.

Juliana Bratfisch

123-129
- PDF (Portuguese)
Roland Barthes and the foreign representations

Maria Luiza Berwanger da Silva

130-135
- PDF (Portuguese)
“Déplacer la parole, c’est faire une révolution”: Barthes, for a peripheral criticism

Ester Pino

136-142
- PDF (Portuguese)
Mythologies and its rumors – Barthes and colonization

Emi Koide

143-147
- PDF (Portuguese)

2015: Número especial: Roland Barthes Plural

Editorial

Editorial Roland Barthes Plural

Articles

What is sport? The seminal contributions of Johan Huizinga and Roger Caillois re-signified by Roland Barthes

Dialogues between Roland Barthes and Maurice Blanchot: writing degree zero in a book to come

Slitting the language or enunciation and writing

Derrida and Barthes: between singularities and pluralities

Shifts and transformation of criticism in Roland Barthes

Mythologies and the new critique of ideology in France

A political Barthes: to write May 1968

From Proust to Barthes: the search for literature

"A passion of neutral": Relations between neutral and subjectivity

Barthes and Musil, how to live together: Gonçalo M. Tavares’ literary tables

Tell hose whom I love: reconciling Roland Barthes and Albert Camus

The suicide pleasure as a performance of the subject in Barthes

Roland Barthes and the palimpsest anatomy

In search of an image: alchemy and literary criticism. The “obstacle of substance” in On Racine, by Roland Barthes.

How to read a movie? The cinematographic language according to Roland Barthes

Barthes, fashion editor

Not eager for definition: punctum and haiku

Roland Barthes and the family album

Reality effects: reality and writing in Roland Barthes

Shared silence: writing gestures and presence gestures

A presentpainting. A brief incursion in Roland Barthes’ drawings.

Roland Barthes and the foreign representations

“Déplacer la parole, c’est faire une révolution”: Barthes, for a peripheral criticism

Mythologies and its rumors – Barthes and colonization

Language

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