The Sublime, Nature and Catholicism. The Italian Journey as Goethe's Aesthetical Repertoire

Autor/innen

  • Wilma Patrícia M. D. Maas Universidade Estadual Paulista Julio de Mesquita Filho. Faculdade de Ciências e Letras, Letras Modernas

DOI:

https://doi.org/10.11606/1982-883720301

Schlagwörter:

Goethe, Italy, forms, nature, art, sublime

Abstract

Goethe’s Journey to Italy is here understood less as an autobiography than as an encyclopedic work of art. Here we can see many different speeches and goals reunited under common suggestions and themes, without a clear articulating line. This article intends to identify Goethe’s reception of natural and artistic forms during his stay in Italy as a possible guideline for this work

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Veröffentlicht

2017-03-20

Ausgabe

Bd. 20 Nr. 30 (2017)

Rubrik

Artigos

Lizenz

A Pandaemonium Germanicum adota a política de acesso aberto, conforme a licença BY-NC da Creative Commons.

 

Zitationsvorschlag

MAAS, Wilma Patrícia M. D. The Sublime, Nature and Catholicism. The Italian Journey as Goethe’s Aesthetical Repertoire. Pandaemonium Germanicum, São Paulo, Brasil, v. 20, n. 30, p. 1–20, 2017. DOI: 10.11606/1982-883720301. Disponível em: https://periodicos.usp.br/pg/article/view/128530.. Acesso em: 22 jul. 2024.