The Sublime, Nature and Catholicism. The Italian Journey as Goethe's Aesthetical Repertoire

Authors

  • Wilma Patrícia M. D. Maas Universidade Estadual Paulista Julio de Mesquita Filho. Faculdade de Ciências e Letras, Letras Modernas

DOI:

https://doi.org/10.11606/1982-883720301

Keywords:

Goethe, Italy, forms, nature, art, sublime

Abstract

Goethe’s Journey to Italy is here understood less as an autobiography than as an encyclopedic work of art. Here we can see many different speeches and goals reunited under common suggestions and themes, without a clear articulating line. This article intends to identify Goethe’s reception of natural and artistic forms during his stay in Italy as a possible guideline for this work

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Published

2017-03-20

Issue

Vol. 20 No. 30 (2017)

Section

Articles

License

A Pandaemonium Germanicum adota a política de acesso aberto, conforme a licença BY-NC da Creative Commons.

 

How to Cite

MAAS, Wilma Patrícia M. D. The Sublime, Nature and Catholicism. The Italian Journey as Goethe’s Aesthetical Repertoire. Pandaemonium Germanicum, São Paulo, Brasil, v. 20, n. 30, p. 1–20, 2017. DOI: 10.11606/1982-883720301. Disponível em: https://periodicos.usp.br/pg/article/view/128530.. Acesso em: 3 jul. 2024.