Vol. 4 No. 7 (2017): Special Issue Brazilian cinema CIHALCEP 2017

Dossier

• Words as images: study of the adaptation of Vidas secas to cinema

  Maria Ignês Carlos Magno, Maria Aparecida Baccega

  • PDF (Spanish)

• Lavoura Arcaica: multiple voices in the dialogue between romance and film

  Josmar Reyes

  • PDF (Spanish)

• Até o dia em que o cão morreu: narrator-literary character adaptation from book to film

  Pamella Tucunduva da Silva

  • PDF (Spanish)

• From Capitu to three women: notes about Paulo Emílio Sales Gomes

  Danielle Corpas

  • PDF (Spanish)

• For sculpting and materializing time. The cinematographic representation of the vertical landscape of the city of Recife

  Bárbara Lino, Cristiano Nascimento

  • PDF (Spanish)

• Cinema & History: conflict, interaction and resistance in Recife's (Pernambuco, Brazil) movie theaters in the 1920s

  Sylvia Costa Couceiro

  • PDF (Spanish)

• Cinema as a historic-politic dispositive in the case of Cabra marcado para morrer and Chile, la memoria obstinada

  Erika Savernini

  • PDF (Spanish)

• The militancy of the form in Cabra marcado para morrer: distance, meta-reflexive device and construction of reality as strategies of the second phase of Eduardo Coutinho’s documentary

  Gabriel Ferreira Vasconcelos

  • PDF (Spanish)

• A reading of O som ao redor and its critical reception

  Luiz Antonio Mousinho

  • PDF (Spanish)

• Cabra-cega: from script to screen

  Solange Salete Toccolini Zorzo

  • PDF (Spanish)

• Historical approach to Hispanic-Brazilian co-productions

  Francisco Javier Gómez Pérez, José Patricio Pérez Rufí

  • PDF (Spanish)