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Vol. 5 No. 1 (2019)
Vol. 5 No. 1 (2019)
Published:
2019-11-12
Full Issue
pdf (Portuguese)
Article
A reflection on the construction of meaning in musical performance from the perspective of the indeterminate music performer
Ana Leticia Crozetta Zomer
9-32
pdf (Portuguese)
Performance: Music in Motion
Performance as Existence and Development of Music
Silas da Luz Palermo Filho
33-59
pdf (Portuguese)
Metrical dissonance as a convergence element between the classical and the popular
Leandro Gumboski
60-86
pdf (Portuguese)
ETAPHOR AS AN EXPRESSIVE RESOURCE IN ALMEIDA PRADO’S SONATA NO. 1 FOR VIOLIN AND PIANO
Luciana de Araújo Caixeta, Fernando Corvisier
87-118
pdf (Portuguese)
The use of rhetorical figures of interruption and silence in José Maurício Nunes Garcia
Eliel Almeida Soares
119-141
pdf (Portuguese)
Lucas Galon’s Concerto for Violin, Percussion and Strings (2018)
a composer in search of his voice
Ricardo Alex Palmezano
142-173
pdf
SCHISM IN JAZZ
THE DISPUTE FOR MEMORY AND MUSIC BY THELONIOUS MONK
Ricardo Augusto Brandão
174-194
pdf (Portuguese)
Ganga-Zumbi
analysis and outlook
Pedro de Grammont e Souza
195-232
pdf (Portuguese)
Essay
The Saga Between the Said and the Not Said
Languague, music and work, in temporal perspecive
Andreia Aparecida Marin, Marcos Câmara de Castro
233-260
pdf (Portuguese)
Editorial
Editorial
Marcos Câmara de Castro, Prof. Dr.
07-07
pdf (Portuguese)
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