The sacred and the profane in the poetry of Mário de Andrade

Authors

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i72p162-183

Keywords:

Sacred, profane, poetry, religion

Abstract

The article discusses the relationship between sacred and profane in the poetry of Mário de Andrade in the early 1920s. Six poems are analyzed: “Noturno”, “Jorobabel”, “XXXIII”, “XXXIII (bis) Platão”, “Carnaval carioca” and “Religião”. For this, we dialogue with the concept of “harmonic verse”, as explained in the avant-garde manifesto “Prefácio interessantíssimo”, published in the book Pauliceia desvairada (1922). The goal is to show how the sacred-profane axis relates to more general dualities present in the verses of the modernist author, as life and writing, human and divine, language and reality, among others.

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Author Biography

  • Caion Meneguello Natal, Universidade de São Paulo (USP, São Paulo, SP, Brasil)

    Pós-doutorando no Instituto de Estudos Brasileiros da Universidade de São Paulo (IEB/USP).

Published

2019-04-17

Issue

Section

Articles

How to Cite

Natal, C. M. (2019). The sacred and the profane in the poetry of Mário de Andrade. Revista Do Instituto De Estudos Brasileiros, 72, 162-183. https://doi.org/10.11606/issn.2316-901X.v0i72p162-183