THE SATURATED IMAGE OF NOWS

Authors

  • Vera Maquêa Universidade Estadual do Mato Grosso

DOI:

https://doi.org/10.11606/va.v0i21.51037

Keywords:

Portuguese-language literature, film, poetry, haiku

Abstract

THIS ARTICLE PROPOSES TO EXPLORE THE MINIMALIST RESEARCH PROCEDURE IN ANGOLAN POETRY OF ARLINDO BARBEITOS AND BRAZILIAN NARRATIVE OF DALTON TREVISAN. SEVERAL CONTEMPORARY LANGUAG ES CONVERGE, AS THE ART OF CINEMA, PHOTOGRAPHY AND CHRONIC, FROM WHICH WE SEEK TO GRASP THE MOMENT AND CONSISTENCY OF YOUR SETTINGS SHAPED. PA RADOXICAL QUALITIES, WIL JOIN IN THE RECOVERY OF POETIC SENSE, AS THE EXCESS AND SHORTAGE, THE BREVITY AND INTENSITY, THE FREE GESTURE AND ACCURACY OF FORM. GOING THROUGH ART WHILE COMPLEMENTARY AND DISTINCT, WE CAN COME TO THE QUESTION ABOUT THE MEANING OF ARTISTIC CREATION ALWAYS UNDERTAKEN IN THE MIST OF AL THE BOOKS EVER WRITEN, WITH THE ARTIST CONDEMNED TO REPEAT .

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Published

2012-06-20

How to Cite

MAQUÊA, Vera. THE SATURATED IMAGE OF NOWS. Via Atlântica, São Paulo, v. 13, n. 1, p. 187–197, 2012. DOI: 10.11606/va.v0i21.51037. Disponível em: https://periodicos.usp.br/viaatlantica/article/view/51037.. Acesso em: 18 may. 2024.