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Vol. 41 No. 42 (2014)
Vol. 41 No. 42 (2014)
Número referente aos meses de julho a dezembro de 2014
Published:
2014-12-04
Full Issue
PDF (Portuguese)
Presentation
Presentation
Eduardo Victorio Morettin, Irene Machado
11-14
PDF (Portuguese)
Articles
The Scientific Cinema
Arlindo Machado
15-29
PDF (Portuguese)
Diasporism and migratory anonymity in film: London River
Rafael Tassi Teixeira, Sandra Fisher
30-47
PDF (Portuguese)
The documentary and the instillation of belief
Laécio Ricardo de Aquino Rodrigues
48-66
PDF (Portuguese)
Cultural Studies applied to audiovisual media research: the circuit of culture as an analytical tool
Flavi Ferreira Lisboa Filho, Ana Luiza Coiro Moraes
67-86
PDF (Portuguese)
A sweet serie: the antics of Mrs. Picucha
Elizabeth Bastos Duarte
87-103
PDF (Portuguese)
Mad Maria, Intermediality and Memory of the Senses: the presentification of the past in period dramas series
Solange Wajnman
104-123
PDF (Portuguese)
Formation of social bonds on TV and social network websites: “Saramandaia” and “Dona Redonda” hashtags in the conversation process on social networks
Mario Abel Bressan Junior, Cristiane Costa Finger
124-144
PDF (Portuguese)
Mediations between cinema and dance: territories in question
Carolina Natal Duarte
145-165
PDF (Portuguese)
Implosion media: corporalities settings of meanings of language
Nísia Martins Rosário, Lisiane Machado Aguiar
166-185
PDF (Portuguese)
The return of Khulekani Khumalo, zombie captive: imposture, law, and paradoxes of personhood in the postcolony
John Comaroff, Jean Comaroff
186-211
PDF (Portuguese)
Reviews
Sensory Narratives
Rodrigo Campos Oliveira
212-216
PDF (Portuguese)
An Experience that inspires us
Alecsandra Matias de Oliveira
217-220
PDF (Portuguese)
The camera, the rifle and the analytical criticism. A review of Cámaras en trance, of Ignacio del Valle Dávila
Alexsandro de Sousa e Silva
221-230
PDF (Portuguese)
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