Vol. 42 No. 44 (2015): Dossiê: Estudos sobre o cinema latino-americano

Número referente aos meses de julho a dezembro de 2015

Published: 2015-12-18

Full Issue

• PDF (Portuguese)

Presentation

• Apresentação

  Reinaldo Cardenuto Filho, Marcelo Prioste

  11-14

  • PDF (Portuguese)

Articles

• Lacking images: torture on documentary about the Brazilian military dictatorship .

  Patrícia Furtado Mendes Machado

  271-293

  • PDF (Portuguese)

• Líbero Luxardo and the production of newsreels in Pará in the 1940s and 1950s

  Ana Lobato

  294-317

  • PDF (Portuguese)

• Soap opera and Politics: perspectives and ways of approach

  Angela Cristina Salgueiro Marques

  318-338

  • PDF (Portuguese)

• Narrating Boedo from an hyperactive leisure

  Carolina Rolle

  359-372

  • PDF (Spanish)

• Brazilian women filmmakers and the female and male voices in documentaries

  Karla Holanda

  339-358

  • PDF (Portuguese)

• Paratexts, programs of action?

  Thiago Falcao

  373-392

  • PDF (Portuguese)

Dossier

• Argentina Sono Film e Cinédia: uma comparação

  Arthur Autran Franco de Sá Neto

  15-28

  • PDF (Portuguese)

• 'Our things '? Popular music, phonograph records and the beginnings of sound film in Brazil.

  Suzana Reck Miranda

  29-44

  • PDF (Portuguese)

• Power and welth production on Chilean and Brazilian silent documentaries

  Mónica Villarroel

  45-62

  • PDF (Spanish)

• NOTES FOR A STUDY ON THE UNIÓN DE CINEMATECAS DE AMÉRICA LATINA

  Fabián Núñez

  63-81

  • PDF (Portuguese)

• An responsible eye to the pain of others: images of violence in two films of Ukamau Group

  María Gabriela Aimaretti

  82-99

  • PDF (Spanish)

• The music by Villa-Lobos in the films of Glauber Rocha of the sixties: allegory of Brazilian nation and part of tropicalistic patchwork

  Luíza Beatriz Alvim

  100-119

  • PDF (Portuguese)

• "Los rubios" and the limits of the notion of postmemory

  Fernando Seliprandy

  120-141

  • PDF (Portuguese)

• So enter, because you keep seeing: ambiguity and melancholy of resistance in La ciudad de los fotografos

  Denise Tavares da Silva

  142-159

  • PDF (Portuguese)

• “Forgetting to Remember” in Forgotten Valley (Maria Raduan, 2012) and Huanacache, tierra Huarpe (Silvina Cuman e Javier Orrade, 2010)

  Natalia Pinazza

  160-175

  • PDF (Portuguese)

• Professional Killers: the sicaresca in the Colombian cinema

  Mauricio de Bragança

  176-192

  • PDF (Portuguese)
• 

  Following clues: the Argentine crime movie as a genre in Betibú

  Luiza Lusvarghi

  193-211

  • PDF (Portuguese)

• Musical Film in Latin America: a mapping.

  Guilherme Maia, Lucas Ravazzano

  212-231

  • PDF (Portuguese)

• Identity and alterity in cinema: significants spaces in contemporary sound poetics

  Virginia Osorio Flôres

  232-253

  • PDF (Portuguese)

• Narratives and frontiers in two latin american journeys

  Alexandre Silva Guerreiro

  254-270

  • PDF (Portuguese)

Reviews

• Globalized aesthetics and criticism

  Raul Arthuso

  393-399

  • PDF (Portuguese)

• Documentary and Brazil in the World War II: anti-militarism and anti-communism as sensitive pattern

  Claudio Aguiar Almeida

  400-408

  • PDF (Portuguese)