Vol. 43 No. 45 (2016): Dossiê: A pesquisa em cultura audiovisual: novos desafios e aportes teóricos

Número referente aos meses de janeiro a junho de 2016

Published: 2016-08-22

Full Issue

• PDF (Portuguese)

Presentation

• Apresentação

  Eduardo Morettin, Margarida Maria Adamatti

  11-17

  • PDF (Portuguese)

Articles

• A televisão como meio híbrido no pensamento de Raymond Williams

  Marcio Serelle

  187-199

  • PDF (Portuguese)

• Communicative scenes as stage of tensions: about the impasses that permeate the reciprocal constitution of interlocutors in Papo de Polícia

  Thales Vilela Lelo

  200-219

  • PDF (Portuguese)

• Between passage and permanence: aesthetic of disappearance in Linz – Quando Todos os Acidentes Acontecem

  Camila Vieira da Silva

  220-239

  • PDF (Portuguese)

• Costumes, colors and framing of the film The Clown: Plastic aspects in the construction of a closed and nostalgic universe

  Marina Soler Jorge

  240-257

  • PDF (Portuguese)

• Rock, apathy and violence

  Maria Alzuguir Gutierrez

  258-273

  • PDF (Portuguese)

• SEX AND DESIRE: READING GAME IN JE T’AIME… MOI NON PLUS

  Bibiana de Paula Friderichs

  274-288

  • PDF (Portuguese)

• The interesting image: cinema and narrative halt

  João Vitor Resende Leal

  289-308

  • PDF (Portuguese)

• The middle class and the proliferation of "globochanchadas"

  Márcio Rodrigo Ribeiro

  309-324

  • PDF (Portuguese)

• Communication, consumption and entertainment: the diegetic construction of the Apple brand in the movie Jobs

  Beatriz Braga Bezerra

  325-339

  • PDF (Portuguese)

Dossier

• (In)Visibilities of Labour in a Single Shot

  José Gatti

  18-43

  • PDF (Portuguese)

• The eye of the image: meta-aesthetic reflections in Abbas Kiarostami’s cinema

  Luiz Carlos Oliveira Junior

  44-63

  • PDF (Portuguese)

• Cinema, intermediality and historiographic methods: the Árido Movie in Pernambuco

  Samuel Paiva

  64-82

  • PDF (Portuguese)

• Exhibition and meaning: an analysis of the Cambodian prisoners portraits

  Daniela Bracchi

  83-95

  • PDF (Portuguese)

• Documentary as media memory: affection, symbol and trauma as stabilizers of remembrance

  Cássio dos Santos Tomaim

  96-114

  • PDF (Portuguese)

• Hyper-materialistic cinema: Bergson, Deleuze and the virtualization of matter in Louis Lumière’s films

  Marcelo Carvalho

  115-133

  • PDF (Portuguese)

• There is something beyond there: Identity, belonging and narrative space in Love for sale

  Rayssa Mykelly de Medeiros Oliveira, Luiz Antonio Mousinho Magalhães

  134-148

  • PDF (Portuguese)

• Mr. Sandman, Bring me a Time Machine: temporality, contingency and genre in Back to the Future and Donnie Darko

  Erick Felinto

  149-166

  • PDF (Portuguese)

• Narratives of a permanent journey: the films of Herbert Duschenes

  Paola Prestes Penney

  167-186

  • PDF (Portuguese)

Reviews

• The past and its point of departure. A review of A luta armada no cinema: ficção, documentário, memória, by Fernando Seliprandy

  Lúcia Ramos Monteiro

  340-349

  • PDF (Portuguese)

• The epistemology of communication between mediation and interaction

  Regiane Miranda de Oliveira Nakagawa

  350-355

  • PDF (Portuguese)