Vol. 44 No. 48 (2017): Dossiê: 100 anos de Greimas: Perspectivas no Audiovisual

Número referente aos meses de julho a dezembro de 2017

Published: 2017-12-19

Full Issue

• PDF (Portuguese)

Presentation

• Presentation

  Irene Machado, Jaqueline Esther Schiavoni

  11-14

  • PDF (Portuguese)

Articles

• The scientific image in the movie Interstellar

  Edison Gomes

  118-141

  • PDF (Portuguese)

• Intentionality of expressive forms: style and method in Bordwell and Baxandall

  Tess Chamusca Pirajá

  142-157

  • PDF (Portuguese)

• Sequel production in Argentine classical cinema

  Alejandro Kelly Hopfenblatt

  158-175

  • PDF (Spanish)

• How many movie theaters were there in Brazil? Reflections on the dimension and characteristics of the Brazilian exhibition circuit

  Rafael de Luna Freire, Natasha Hernandez Almeida Zapata

  176-201

  • PDF (Portuguese)

• Memories in transit: shooting and reuse of exile’s images during the Brazilian military dictatorship

  Patrícia Furtado Mendes Machado

  202-222

  • PDF (Portuguese)

Dossier

• Dictionary of semiotics and narratives of cinema and television

  Lorenzo Vilches

  15-31

  • PDF (Spanish)

• Modalizations of doing in the episode "The National Anthem" of the series Black Mirror

  Conrado Moreira Mendes

  32-52

  • PDF (Portuguese)

• The contributions of semiotics to the study of television fiction: the case of the miniseries Justiça

  Silvia Maria de Sousa

  53-67

  • PDF (Portuguese)

• Enunciative strategies in Google Spotlight Stories: the look of Greimas’ semiotics on the 360° videos

  Ana Silvia Lopes Davi Médola, Bruno Jareta de Oliveira

  68-85

  • PDF (Portuguese)

• Potentialities of “being” and “being not” and the “beau geste” between Io sono l’Amore and Amour

  Kati Eliana Caetano, Sandra Fischer

  86-97

  • PDF (Portuguese)

• TV serial fiction, political journalism and construction of reality: some hypotheses from Greimas’ perspective

  Paolo Demuru

  98-117

  • PDF (Portuguese)

Traduções

• Historicity of cinema

  Jacques Rancière

  245-263

  • PDF (Portuguese)

Reviews

• Red alert: Marxist approaches to science fiction cinema

  Gabriel Carneiro

  223-229

  • PDF (Portuguese)

• Picture ahead: Kodak and the construction of the tourist-photographer

  Lila Foster

  230-237

  • PDF (Portuguese)

• Cinema and cultural circulations in Salvador in the 1970s

  Fernando Seliprandy

  238-244

  • PDF (Portuguese)