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Vol. 19 No. 42 (2021): Homeless Art Histories
Vol. 19 No. 42 (2021): Homeless Art Histories
Published:
2021-10-31
Full Issue
PDF (Portuguese)
Editorial
Editorial
Sônia Salzstein, Liliane Benetti, Leonardo Nones, Lara Rivetti
6-8
PDF (Portuguese)
Articles
A Portrait for no Wall
Claudinei Roberto da Silva
67-82
PDF
On Periodization: What Does "Post-Duchamp" Mean?
Thierry de Duve
83-108
PDF
The Geopolitics of the Western Art Worlds: Reflection and Methodology
Catherine Dossin
109-139
PDF
Global Modernism: A View From New York
Pepe Karmel
140-171
PDF
Fame, Engraving and Brushes: Visual Citations of Michelangelo's Last Judgment Between Europe and the Andes (16th-18th Centuries)
Agustina Rodríguez Romero
172-220
PDF (Spanish)
Canon(s), Globalization and Art Historiography
Ivair Reinaldim
221-260
PDF (Portuguese)
Caring for Butterflies: a Therapeutic Origin for Art Historical Practice
Kaira M. Cabañas
261-294
PDF (Portuguese)
The Place of Art History and the Crisis of the Conference
Maria Berbara
295-314
PDF (Portuguese)
Africa, Brazil and Art – Persisting Challenges
Roberto Conduru
315-358
PDF (Portuguese)
Museums in Retreat: How Far Does the Pluralism of Institutions Go?
Tiago Mesquita
359-395
PDF (Portuguese)
Art as Project, Project as Art
Sérgio Martins
396-440
PDF (Portuguese)
Between the Ruin and the Construction Site: José Resende in Mooca
Patricia Corrêa
441-480
PDF (Portuguese)
"What Remains Has Always Existed": Modern Art and Ecology in Brazil
Vera Beatriz Siqueira
481-527
PDF (Portuguese)
Searching for a Place: Two Little Explored Sources of the History of Women Artists
Annateresa Fabris
528-589
PDF (Portuguese)
Alfredo Jaar and the Desire to Invent New Models of Imagining the World: America x Latin America
Maria de Fátima Morethy Couto
590-624
PDF (Portuguese)
Public Call
Selfie: The Self-Portrait of the Contemporary Subject
Paula Braga
643-690
PDF (Portuguese)
Back to Plato's Cave: Notes on Immersive Exhibitions
Priscila Sacchettin
691-739
PDF (Portuguese)
Tribeca/New York: Artistic Territory in the Performances of Joan Jonas
Paula Nogueira Ramos
740-796
PDF (Portuguese)
Absurd! Repetition in Eva Hesse's Work
Luiza Alcântara, Rachel Cecília de Oliveira
797-833
PDF (Portuguese)
Loking for Diva in the Global South. Feminism, Art and Politics
Cláudia de Oliveira, Paula Guerra
834-893
PDF (Portuguese)
Printed Museums: Malasartes and A parte do fogo
Felipe Paranaguá Braga
894-947
PDF (Portuguese)
The Lettrist Cinema in 1968: The Café-Cinema Experience and Le soulèvement de la jeunesse
Fábio Uchôa
948-997
PDF (Portuguese)
Artists From (The End of) The World: Self-Naming, Implication, and Creation
Carolina Primeira, Malandro Vermelho
998-1033
PDF (Portuguese)
For a Concrete Radicality: Henry Flynt Against the Avant-Garde
Bruno Trochmann, Luisa Paraguai
1034-1086
PDF (Portuguese)
The Performative Acts and the Construction of Events in Performance
Andrés Felipe Restrepo Suárez
1087-1119
PDF (Spanish)
Translations
What is Curatorial Activism?
Maura Reilly; Ana Avelar, Marcella Imparato
1120-1166
PDF (Portuguese)
Caderno especial: referências bibliográficas
A Bibliography Under Construction
Beatrice Frudit, Caio Bonifácio, Janaína Nagata Otoch, Leandro Muniz
1167-1321
PDF (Portuguese)
Textos escolhidos - Histórias da arte sem lugar
How Skin Color Became a Racial Marker: Art Historical Perspectives on Race
Anne Lafont; Liliane Benetti, Lara Rivetti
1289-1355
PDF (Portuguese)
Women, Art, and Power
Linda Nochlin; Leonardo Nones
1356-1426
PDF (Portuguese)
Whither Art History
Griselda Pollock; Sônia Salzstein
1427-1521
PDF (Portuguese)
Barbarian Invasions and the Racialization of Art History
Éric Michaud; Pedro Taam
1522-1580
PDF (Portuguese)
Primitive Scenes
Hal Foster; Janaína Nagata Otoch, Paula Mermelstein Costa
1581-1653
PDF (Portuguese)
Foreword
Thinking Against Oneself: Task for Art Historians Today
Sônia Salzstein
12-65
PDF (Portuguese)
RESENHA
Race, People and Otherness in Brazilian Modernity
Flávio Thales Ribeiro Francisco
625-641
PDF (Portuguese)
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